No God but Greed: Slavery and Indifference

STOCKHOLM, Sweden, Feb 23 (IPS) - At Statens Museum for Kunst in Copenhagen there is a great painting made in 1797 by the Danish Golden Age painter Jens Juel. It depicts one of Denmark’s richest merchants at the time – Niels Ryberg, his newlywed son Johan Christian, and the son’s bride, Engelke. Johan Christian makes a gesture as though to show off the family estate. There is a strong feeling of harmony between the people and the countryside in which they are placed. The picture reflects the new interest in nature that emerged all over Europe towards the end of the 18th century. It also demonstrates how Denmark’s new, rich bourgeois wished to carry themselves in the style of the aristocracy, a social class which dominance they were infringing. Ryberg and his son appear just as distinguished as the aristocrats that used to be portrayed by Jens Juel.

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